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RCC Environmental Writing Studio

The Environmental Writing Studio offers inspiration, community, and practical approaches to the art and craft of writing. To support the transition from research to publication, the seminars provide insights from authors, editors, and lecturers about the writing process.

Upcoming Events:

How the Five-Act Structure Can Improve Your Interviews

with Landhaus Writer-in-Residence Angela Antle

25 June 2025
12:00–14:00 c.t. (GMT)

Location: conference room, fourth floor, RCC

Interviewing research subjects can often feel extractive or unwieldy. You might wonder if you’re asking the right questions in the right order, or why some subjects clam up and others share their experiences generously. This workshop will help you become a better interviewer.

Borrowing from the five-act narrative structure and drawing on three decades of asking questions for the Canadian Broadcasting Corporation (CBC), the workshop’s instructor Angela Antle will help you develop skills to arrive at your interviews prepared and relaxed, and to get the most out of conversations with subjects. Come with a project to the workshop or an idea of interviews you would like to do (or redo) to get the most out of the workshop.

Angela will share some journalists’ secrets, and participants will discuss different types of interviews and questions, focus statements, q-line development—mapping which questions should come first, and which might be avoided. The workshop will discuss pitfalls and personal experiences—an informal gathering to learn from each other and become better interviewers.

This is an in-house RCC workshop (for RCC affiliates only). To sign up, please email pauline.kargruber@rcc.lmu.de.

Angela Antle is the 2025 Landhaus Writer-in-Residence, a multidisciplinary artist, documentary-maker, interdisciplinary PhD candidate (Memorial University of Newfoundland), and a member of Norway’s Empowered Futures: A Global Research School Navigating the Social and Environmental Controversies of Low-Carbon Energy Transitions.

Getting Stuck? How to Use Visual-Art Methods to Free Your Writing Practice

with Landhaus Writer-in-Residence Angela Antle

2 July 2025
12:00–14:00 c.t. (GMT)

Location: conference room, fourth floor, RCC

Writing spontaneously and together can be a transformative act of resistance. While all qualitative methods are leaky, creative writing continues to be undervalued in the academy as knowledge making that can redirect flows, challenge assumptions, and dissolve boundaries.

No art skills needed.

In this workshop, participants will use simple art techniques to trick their rational brain (it’s so judgy!) and get them writing. Together they will make memory maps, talk metaphors using the wise words of Ocean Vuong, and climb a “celery ladder” (you will have to attend to find out). They will write their own climate manifesto à la Zoe Leonard, and, if there is time, they will do some “carrier-bag collaging” in memory of Ursula K. Le Guin.

How will this help your academic writing? Come and find out.

Past Events:

Writing the Englischer Garten

with Landhaus Writer-in-Residence Angela Antle

14 May 2025
12:00–14:00 (GMT)

Location: conference room, fourth floor, RCC

Writing spontaneously and together can be a transformative act of resistance. While all qualitative methods are leaky, creative writing continues to be undervalued in academia as knowledge making that can redirect flows, challenge assumptions, and dissolve boundaries.

This is a two-part (two-hour) workshop.

Hour 1: Writing-lab participants will be given five, color-coded, blank cue cards. Blue is for words representing feelings (affect), pink for action (verbs), yellow for objects, white for sounds, and the green cue cards… are wild! The card idea comes from the “decompositional and recompositional” game described by Dominic Boyer in No More Fossils (2023). We will walk through Munich’s Englischer Garten gathering words and phrases to describe the sputter of bees, a scooter girl gliding through a tangle of dog walkers, and the sheen of pollen on river rocks. This exercise aims to tap into what Timothy Morton in All Art Is Ecological (2021) refers to as the telepathic, “truthy” ambiguity, and power of art.

Hour 2: The flash-fiction writing lab. The group will return to the RCC, and, using a prompt developed by Sheena Wilson and Lisa Moore in We Were In It: Stories About Energy Transition (2025) as well as the gems we have collected on our cue cards, we will write for 30 minutes.

The words you collect on your cards and the prompt will ground a 500-word flash-fiction piece in the energy of the park and may also contest capitalist and technical flows, stretch and perhaps rupture our sense of time and place, and reflect critically on the current polycrisis while avoiding what Greg Garrad (“Ecocriticism and Education for Sustainability,” 2007) refers to as the “wilderness epiphany” in nature writing. In the last half hour, those who feel comfortable can share their stories.

From Nature Poetry to Ecopoetry: A Hands-on Workshop

with Brady Fauth and Julia Ludewig

13 February 2025
10:30–12:00 (GMT)

Location: conference room, fourth floor, RCC

Nature poetry, according to Wendell Berry, is a form that “considers nature as subject matter and inspiration” and has prevailed in the literary canons of all languages and cultures—from Rilke to Wordsworth and Whitman to Ryōkan.

But what is ecopoetry, and how might it be different? John Shoptaw states “an ecopoem needs to be environmental and it needs to be environmentalist ... more than the vocabulary of nature.”

This workshop engages with four selected poems (circulated in advance) to uncover examples of ecopoetry from around the world. We analyze form, subject, and style to find what draws this genre together, and what pulls it apart, to understand how it inspires, and why, now more than ever, it is so necessary. In this workshop, we will also encourage participants to craft their own poem by following the prompts and guidelines we provide.

About the Presenters:

Brady Fauth is an editor, a writer, a carpenter, sometimes a teacher, and a PhD candidate at LMU. His work focuses on the literature of migration and the role of artistic movements in twentieth-century fiction.

Julia Ludewig is an associate professor of German at Allegheny College. She is an interdisciplinary teacher-scholar who is fascinated by stories and how they shape societies. In both her academic and her poetic worlds, writing is her preferred mode of thinking through the things that matter.

Pitch 101: How to Sell Your Research and Ideas

with Landhaus Writer-in-Residence Hongqiao Liu

15 January 2025
14:00–16:00 (GMT)

Location: conference room, fourth floor, RCC

Pitching is a form of storytelling that communicates and sells a product, project, or idea within limited time or space. Whether it is writing “cold emails” to catch the attention of potential supervisors or collaborators, persuading journalists to report on your newest research findings, or securing opportunities to publish essays or commentaries, pitching is everywhere in academic life.

This workshop breaks down the art of pitching into actionable steps. Participants will explore common pitching scenarios and learn a step-by-step approach to crafting pitches that are clear, concise, and persuasive. At the end of the workshop, participants will come home with a polished pitch tailored for media editors—whether based on their own research or provided materials.

Hongqiao Liu is an independent consultant, researcher, and journalist who advocates across sectors and borders for nuanced analysis and strategic action on China’s role in equitable futures.

Visual Narratives: Finding Words Through Images

with Volkswagen Foundation Visiting Professor Alison Pouliot

6 December 2024
14:00–16:00 (GMT)

Location: conference room, fourth floor, RCC

As forms of artistic expression, photography and poetry share much in common. Both are the outcome of intense honing and refining—the art of reduction. Both can convey a point of view or story that goes beyond mere description. Photographers often borrow literary devices such as irony, but writers also have much to glean from photographs.

This highly interactive workshop explores the crossovers and cohabitations of words and images and how they might enhance and inspire one another. Most of the workshop will be spent actively writing short texts using visual and sensory prompts.

Alison Pouliot has been working with images and words for over three decades. She is the author of six books and has contributed chapters to several anthologies. Her words and images appear in both academic and general literature. Alison is the Volkswagen Foundation Visiting Professor at the Rachel Carson Center. You can find more information about Alison on her website.

Short and Sweet: Communicating Research to the Wider Public

with Landhaus Writer-in-Residence Hongqiao Liu

13 November 2024
14:00–16:00 (GMT)

Location: conference room, fourth floor, RCC

Academic research holds valuable insights that can spark discussions outside the university setting. In this hands-on workshop, we will practice simplifying academic language, look at nonacademic publishing platforms, and tailor your writing style to engage diverse audiences working in politics, industry, media, and beyond. Your spin-offs might take shape as LinkedIn or X posts, articles for publications like Springs: The Rachel Carson Center Review, op-eds for local media, or collaborative newsletters written with fellow researchers.

To get started, participants are asked to bring two or three story ideas.

Hongqiao Liu is an independent consultant, researcher, and journalist who investigates the social, environmental, and governance challenges arising from China’s emergence as a superpower.

Writing Ecologically

with Landhaus Writer-in-Residence Catherine Bush

2 July 2024
14:00–16:00 (GMT)

Location: conference room, fourth floor, RCC

What might it mean to write ecologically? Or to approach writing as an ecology? This workshop will explore how we can bring ideas of the ecological to our writing practice—creating and enacting relationship, particularly between the human and more-than-human. Participants will discuss these ideas and expand our practice through writing exercises, trying different modes, with a particular focus on the braided essay, which brings different modes—the memoir, researched narrative—into dynamic relationship. Contemporary environmental creative nonfiction often uses this form (in publications such as Aeon, Emergence, Noema, and Orion). The workshop will be an experiment with techniques to enhance porosity and juxtaposition and move beyond the linear. Participants are invited to be exploratory.

How to Revise Your Own Work

with Mark Olival-Bartley

18 June 2024
14:00–16:00 (GMT)

Location: conference room, fourth floor, RCC

This two-hour workshop will provide international scholars with effective language-pedagogy strategies to revise their own writing. Attendees are encouraged to bring along a work in progress. The first half of the workshop will survey and assess techniques; the second will be a hands-on workshop in revising a paragraph-length text.

Writing Others

with Landhaus Writer-in-Residence Catherine Bush

4 June 2024
14:00–16:00 (GMT)

Location: conference room, fourth floor, RCC

Whether writing fiction or nonfiction, we face the challenge of bringing other human and more-than-human presences to the page. This workshop will consider strategies for creating a diverse and lively world, focused on the challenge of bringing to life others who are not like us. What imaginative techniques can we employ to summon others while respecting difference and the unknowable? The workshop will touch on the particular challenges facing participants and involve a variety in-class prompts. Be prepared to be playful and exploratory.

Rhyme and Research: Poetic Inquiry as a Research Method

with Dr. Abbi Flint

21 May 2024
14:00 (GMT)

Location: conference room, fourth floor, RCC

In this hands-on workshop, we will explore how researchers might use poetic inquiry within multimethod approaches to explore human relationships with environments and their heritage.

Dr. Flint will share examples from her own research practice of how to integrate poetic inquiry as a method within research into landscape heritage and museum artifacts and work in progress which combines mobile and poetic methods. Together, the workshop participants will explore how research poems can be used:

to put different perspectives/sources on human-environment relationships in conversation with one another;
as part of the process of data crystallization, analysis, and interpretation;
to foreground diverse voices within the research, including the other-than-human.

During the workshop, participants will start to craft their own research poems, and if the weather permits, they may also venture outside to combine mobile and poetic methods in practice.

Example material to work with will be provided, but participants are also encouraged to bring along a couple of pages of text, images, and/or data from their research to work with during the session. Participants could, for instance, bring extracts of texts from archival sources, scientific research, interview transcripts, or fieldwork diaries/journals.

About Dr. Abbi Flint: She is a research associate in history on the “In All Our Footsteps” project, which is funded by the Arts and Humanities Research Council (AHRC), at Newcastle University, UK. With a background in archaeology, her research interests include peoples’ engagements with landscapes and heritage—especially peatlands—and with other-than human animals. She is also a poet and has been published in literary magazines and research project outputs.

Writing the Sensory World

with Landhaus Writer-in-Residence Catherine Bush

7 May 2024
14:00–16:00 (GMT)

Meeting Point: conference room, fourth floor, RCC

Location: outside (if the weather permits it)

In this workshop we will engage in generative writing prompts that invite us to activate our senses, particularly hearing and touch, as a route to deeper connection with the world and to enliven our writing. “If we’re not paying attention through our own senses, we have disengaged from the primary mode in which every creature since the origin of life has connected to its environment,” says acoustic ecologist David Haskell. As humans and writers, we tend to prioritize sight over our other senses. The loss of complex natural soundscapes is a specific form of ecological loss. To be out of touch with nature is to be literally out of touch—not touching. We’ll head outside for some sensory encounters with the more-than-human world—particularly as soundscape and touchscape. Then we’ll bring our attention to the page. If the weather is good, the entire workshop may take place outdoors.

Pitching Your Research: Turning Your Work into Stories to Sell

23 April 2024
14:00–16:00

Location: conference room, fourth floor, RCC

Facilitator: Michaela Cavanagh

As researchers, you have something that every journalist envies: evidence-based expertise. So how can you translate your scholarly output into engaging stories for a broader audience?

This practical, hands-on workshop will cover the five W’s of turning your research into journalism, op-eds, essays, criticism, and memoir. We will cover how to think like a journalist, tricks for turning a topic into a story, the art of the pitch, and the nuts and bolts of where and how to pitch your story. We will finish with an open Q&A on the finer points of pitching.

A bit about your facilitator: Michaela Cavanagh is a freelance climate journalist and news editor with a decade of experience in newsrooms across Europe and Canada. Her journalism, essays and criticism have appeared in The Atlantic, the London Review of Books, Die Zeit, the LA Review of Books, and Literary Hub among others.

Braided Poetry: Reading and Workshop

with Rebecca Sharp and Monika Szuba

10 March 2024
10:00–11:30 (GMT)

online on Zoom

At this online event, as part of the StAnza Festival, Landhaus Fellow Monika Szuba and Rebecca Sharp, artist-in-residence at the Center for Energy Ethics at the University of St Andrews, will read a poem they have co-written.

Digital festival passes can be purchased through Byre Theatre.

Second Nature(s): Drawing Together Research and Art

with Nick Earhart and Melusine Martin

Workshop: 22 February 2024, 10:30–12:30, Rachel Carson Center

Art Opening and Exhibition: 22 March 2024, Landhaus

This environmental writing workshop explores the connection between artistic and research practices. The focus is twofold: How can researchers incorporate creative media into their scholarly efforts? And how might artistic explorations, done for their own sake, inform the more structured, regimented work of academia? The workshop’s facilitators, Landhaus Fellows Nick Earhart and Melusine Martin, both maintain creative practices in addition to their scholarship. Nick has published his stream-of-consciousness comics widely and plays in bands; Melusine exhibits her abstract paintings in galleries and works in several media. Both see their art as integral to the overall learning and thinking process, rather than something that is separate or supplemental. For the workshop, Nick and Melusine will share brief accounts of their journeys through art and academia, lead a dialogue about creative research strategies, and offer prompts for participants to create their own drawings and paintings linked—however loosely—to research questions. Following the workshop, Nick and Melusine plan to host an art show at the Landhaus, and workshop participants and others are invited to contribute. Art supplies will be provided.

Reworkshop: A Two-Day Writing Lab

with Rowan Deer

29–30 January 2024
9:00–15:00

conference room, second floor, RCC

This two-day writing workshop will provide a space for participants to rework, edit, or develop a work in progress with the opportunity to receive feedback from Rowan Deer and the group. This workshop is closed and not open to the public.

The workshop will cover:

How to write an effective and engaging title and opening paragraph;
Clarifying and honing one’s argument;
The power of good structure and storytelling;
How to conclude a piece of writing;
Editing for clarity.

The Art and Craft of the Sentence, Part Two

with Mark Olival-Bartley

5 December 2023
12:00–14:00

This workshop will focus squarely on the neglected workhorse of scholarship, the sentence. Together, we will anatomize the syntactic parts of a sentence (at the level of the word, phrase, and clause), noting their purposes and interanimations, and investigate how different sentence styles (i.e., simple, compound, complex, and compound-complex) can be best harnessed to help us ecopoetically in our respective fields in the environmental humanities. Drawing on primers by Fish, Foerster and Steadman, and Longknife and Sullivan, Mark Olival-Bartley will lead this introduction to the art and craft of the sentence.

The Impossible: A Generative-Prose Workshop

with Cynthia Cruz

31 October 2023
9:00–11:30

conference room, fourth floor, RCC, Leopoldstr. 11a, 80802 Munich, Germany

But you’re in love with what’s impossible.
—Ismene to Antigone, Antigone

The German word for impossible is ausgeschlossen, meaning that which is “excluded” or “barred.” That which is impossible is not nonexistent but, rather, beyond definition. In this generative workshop we will examine different ways in which writing can allow for what cannot be articulated—either because there are no words for articulating what must be spoken or because the speaker quite simply cannot utter what must be said. Our meeting will begin with the discussion of an outside text, after which we will move on to a series of readings and generative-writing exercises, which will result in a collection of first drafts from which students will be able to construct entirely new works.

The workshop has been organized for the LearningNatures project, but is also open to other RCC members.

The Art and Craft of the Sentence

with Mark Olival-Bartley

7 November 2023
12:00–14:00

Creative Writing Workshop for the Environmental Humanities

with Rowan Deer

14–15 September 2023
11:00–17:00

This two-day workshop will explore various modes of creative-critical writing related to the environmental humanities. Participants will look at examples of environmental creative non-fiction and creative scholarly writing, and observe what they do well and how. It will make use of a variety of writing exercises to explore different techniques, perspectives, structures, and styles in our own writing.

The workshop is open to all. It is both for those that consider themselves seasoned writers who want to deepen their practice, and for those to whom the idea of writing more “creatively” maybe feels like something alien or scary. Participants are asked to join for the full two days.

Some example topics to be covered are:

Observational writing and vignettes;
Storytelling and structure;
Writing to discover;
Writing the nonhuman world;
Close reading as a skill for writers;
Creative academic and scholarly writing;
Effective planning, writing, and editing processes.

“ILL-LIGHT: The Georgia Landscape in Lyric and Lens”

A Talk with Andrew Zawacki

22 June 2023
16:15–17:45
Location: Rachel Carson Center, fourth floor, conference room

American Visiting Professor Andrew Zawacki will read poems and screen photographs from a trio of recent projects. He will begin by showing documentary images from “The Land Beneath Our Feet: Mapping Cherokee Homesteads in the Early Nineteenth Century,” a work-in-progress undertaken in collaboration with University of Georgia historian Claudio Saunt. The majority of the session will feature a reading from Zawacki's forthcoming poetry book, These Late Eclipses, in tandem with photographs from an ongoing work focused on Georgia landscapes.

This event is organized by Noemi Quagliati (LMU München/Amerika-Institut) as part of the UGA-LMU Faculty Research Exchange.top

Creative Writing Course (MA program)

21 April–21 July 2023
12:00–14:00
Location: 201 Schellingstr. 3/VG

An interdisciplinary creative writing course will be open to Environmental Studies MA students, taught by Dr. Amy Mohr, former RCC editor and literary scholar at LMU. The sessions will include tips and models and the time and space to write and receive feedback. This collaborative approach will create a sense of community while improving creative writing skills.

Beginning 21 April and running through the end of the semester, sessions will take place weekly on Fridays from 12:00–14:00 in room 201, Schellingstr. 3/VG. The course will culminate in a reading event (TBD). This non-credit course is open to students in Faculty 13.

Creative Writing/Academic Analysis (PhD seminar)

8 May 2023
14:30–17:00
Location: Rachel Carson Center, fourth floor, seminar room

In what ways does academic writing follow a creative process? In this workshop, participants will practice weaving literary style—the use of figurative language, setting, characterization, and conflict—into analysis so that the topic resonates with an audience. Please send a paragraph of a work in progress to Amy.Mohr@lmu.de by 4 May.

Thinking with Image and Text: A Comics Workshop

5 May 2023
15:00–17:00
Location: Rachel Carson Center, fourth floor, conference room

While comics are often associated with a genre, they are—like prose or film—a medium. As a distinctly multimodal medium, comics offer unique opportunities to communicate ideas and experiences that can be difficult to capture through traditional, linear writing. Across genres—from journalism, science communication, ethnography, fiction, nonfiction, and memoir—comics artists employ a variety of devices to play with concepts like space and time, scale, memory, trauma, and subjectivity.

This workshop will introduce participants to a few of these devices and how to apply them to their own stories and ideas. Participants are encouraged to bring a topic to explore through comics—anything from a personal experience to an academic question. No drawing or comics experience required!

The workshop will be run by Amey Yun Zhang, a PhD student in anthropology at the Rachel Carson Center and former graduate facilitator of the Oxford Comics Network. Some of her artwork can be found on her website.

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RCC Environmental Writing Studio

Upcoming Events:

How the Five-Act Structure Can Improve Your Interviews

Getting Stuck? How to Use Visual-Art Methods to Free Your Writing Practice

Past Events:

Writing the Englischer Garten

From Nature Poetry to Ecopoetry: A Hands-on Workshop

About the Presenters:

Pitch 101: How to Sell Your Research and Ideas

Visual Narratives: Finding Words Through Images

Short and Sweet: Communicating Research to the Wider Public

Writing Ecologically

How to Revise Your Own Work

Writing Others

Rhyme and Research: Poetic Inquiry as a Research Method

Writing the Sensory World

Pitching Your Research: Turning Your Work into Stories to Sell

Braided Poetry: Reading and Workshop

Second Nature(s): Drawing Together Research and Art

The Art and Craft of the Sentence, Part Two

The Impossible: A Generative-Prose Workshop

The Art and Craft of the Sentence

Creative Writing Workshop for the Environmental Humanities

“ILL-LIGHT: The Georgia Landscape in Lyric and Lens”

Creative Writing Course (MA program)

Thinking with Image and Text: A Comics Workshop

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